Biography

Born in Rome, classical guitarist by training, he studied with the tenor William Matteuzzi for the first part of his career and currently with the tenor Alessandro Luciano.

After distinguishing himself in important international competitions such as Toti dal Monte and Aslico, he immediately started a brilliant activity that led him to perform in the most important theaters around the world.

Among the many debuted titles we can mention, Il matrimonio segreto at the Teatro La Fenice, at the Teatro regio in Turin and at the Festival dei Due Mondi in Spoleto, Così fan tutte at the Municipal Theater of Piacenza, and in Brescia, Como, Pavia and Cremona and with the Bayerische Staatsoper of Munich in Hong Kong, La Cenerentola at the Verdi Theater in Pisa, I quatro Rusteghi (Monsieru Le Bleau) at the Teatro La Fenice, Il viaggio a Reims (Cavalier Belfiore) in Frankfurt, Falstaff(Fenton) at the Teatro Colon in Buenos Aires, Como, Brescia, Pavia and Cremona, A Midsummer night’s dream(Lysander) in Pisa Lucca and Livorno, Il ritorno di Ulisse in patria (Jupiter and Anfinomo) at the Teatro Alla Scala and at the Theater an der Wien.
After a first part of his career, the intelligent evolution of his voice led him to expand the repertoire with other titles such as L’elisir d’amore at the Maggio Musicale Fiorentino, Klagenfurt and Tokyo, Lucia di Lammermoor (Edgardo) at the Bellini Theater in Catania. , Maggio Fiorentino and Munich, Der Rosenkavalier (Italian tenor) and Medea in Corinto (Egeo) at the Bayerische Staatsoper in Munich, Otello (Cassio) at the Canadian Opera Company, Rigoletto (Duke of Mantua) in Tokyo, La Straniera (Arturo) at the Bellini Theater in Catania, Don Pasquale (Ernesto) at the Staatstheater Augsburg, La clemenza di Tito in Magdeburg and again in Augsburg, La Traviata (Alfredo) in Shanghai, Cagliari, Pisa, Glybndebourne, Don Giovanni in Glyndebourne, Dubai and at the ROH in London, Die Lustige Witwe in Catania, Beijing and at the Carlo Felice Theater in Genoa.

Currently the careful and profound study of his instrument has brought to light a distinctly and purely lyrical peculiarity allowing him to face a new repertoire with the following titles:

VERDI, La Traviata, Rigoletto, I due Foscari, Simon Boccanegra, I Lombardi alla prima Crociata, Macbeth, Nabucco, Messa da Requiem

PUCCINI, La Bohème, Madama Butterfly, La Rondine

DONIZETTI, Lucia di Lammermoor, Maria Stuarda, Anna Bolena, Lucrezia Borgia, Roberto Deveraux, L’elisir d’amore

GOUNOUD, Faust, Romeo et Juliette

MASSENET, Manon, Werther

MOZART, La clemenza di Tito, Idomeneo

He has worked with important directors including: Campanella, Metha, Petrenko, Byckov, Frizza, Jurowski D., Sir Elder, Bolton, Alessandrini, Dantone, Mazzola, Fasolis, Sardelli, De Billy, Pidò, Steinberg, Armiliato, Arrivabeni, Biondi , R. Abbado, Martin, Zanettin, Korsten, Fisch and important directors such as Wilson, Loy, Fura dels Baus, Gandini, Micheletti, Guth, Livermore, Bellocchio, Clement, Cairns, Scarpitta.